One Day in the Life of Ivan Denisovitch Literary Techniques Essay

matchless Day in the Life of Ivan Denisovitch Literary Techniques   Alexander Solzhenitsyns style of constitution is economical and unornamental. This is portionicularly true of One Day. This would seemingly ca persona midget difficulty in translating One Day were it not for the great pith of prison jargon contained in the dialogues and discussion of life in the camp.   The designers slogan might well be, wie es eigentlich gewesen, or tell it like it is. In believing as he does in honest realism and not the propaganda slogan of socialist realism, Solzhenitsyn wishes to render the real-life situations he describes in so m each a(prenominal) of his writings-but especially in One Day-in real-life language. The author did not have to use any glossaries of prison argot, although the translator must Solzhenitsyn simply drew on his own 8-years experience in corrective labor camps.   Artistic utilize Of Blunt Language   Many unprintable Russian linguistic pro cess twisting up in One Day, as it was first published in Novy Mir. Words like khub kren, yebat, govno and dermo, khui, pizda, etc., would make Beelzebub himself blush, but since they be part of a zeks vocabulary, they appear in the novella. In the half-dozen extant English translations of the work, these words are rendered with the frankness of a Henry Miller novel. In Solzhenitsyns case, the referee gets the impression that far from wishing to be shocking or sensational, the author has used these obscenities to show how debased humans can become. In any case, most of the smutty language comes out of the mouths of the camp authorities. This undoubtedly is the authors room of illustrating the source of the debasement, debasement not only... ...xample, it is sometimes difficult to know whether he is speaking to us, the readers, or to another character in the dialogue. At this juncture, the author, via the narrator, may step in to wrap up a scene with a comment or observ ation.   In brief, the author has employed a weigh of techniques to achieve his overall strategy in One Day. Above all, he wants to tell us the truth in the manner in which we are generally acquainted with raw truth as a blunt, askew thing which we have no other choice but to accept. Avoiding as he does ornamentation or lengthy sentences and description (in the Dickensian or Dostoyevskian manner), Solzhenitsyn accomplishes a stoic austerity which somehow suits the equally barren scenes, lean figures, and cleanshaven heads of the zeks etched against the bleak white background of the Siberian camp.